Il Riccardo di III di Ian McKellen e l'Angelo dell'Anomia
The aim of this paper, written in Italian, is to uncover the subtle links created by McKellen's relocation of Shakespeare's drama in the context of Nazism, passing through the varying political theories on Tyranny, Dictatorship and Despotism, to show how much this work of art anticipated the oncoming debate on the state of exception as the black hole around which the whole of the western legal tradition has been built and crafted.
